Historic Steinway Piano Restored and Returns to First United Methodist Church After $40,780 Restoration

The Steinway piano, a historic centerpiece of First United Methodist Church in Lewistown, has returned to its original place in the sanctuary after a $40,780 restoration. The piano, which has been a part of the church’s musical life for over a century, was temporarily removed for repairs and has now been restored to its former glory. The church will celebrate its return with a Grand Celebration of Music on October 18, featuring musicians with ties to the community and the church’s historic 1933 Austin pipe organ.

For decades, the Steinway has been an integral part of the church’s worship and musical activities. It has accompanied congregational singing, choirs, soloists, and ensembles, and has been a familiar presence in the lives of many members. The piano’s role extended beyond worship, as it was used for rehearsals, weddings, and other community events. Its presence has been a constant through generations of members who have grown up hearing its sound.

Concerns about the piano’s condition began around 2020, with church officials noting that the hammers had been worn down significantly. A later inspection revealed a major crack in the soundboard, prompting the need for restoration. The decision to repair rather than replace the piano reflected the congregation’s commitment to preserving the legacy of earlier generations. This approach aligns with the church’s tradition of stewardship and care for its historical and spiritual heritage.

The restoration project was managed through Robert M. Sides Music Store in Williamsport, with the piano eventually sent to Stein. The process involved meticulous work to restore the instrument to its original state, ensuring it could continue to serve the church’s musical and worship needs. The restoration effort underscores the value placed on maintaining historical artifacts that have played a role in the community’s spiritual and cultural life.

The Steinway’s return is not merely about preserving an antique but about continuing a tradition of service and worship. As Dr. Charles Everhart, a church trustee, noted, this generation has a responsibility to restore and preserve the legacy of those who came before. The piano’s presence in the sanctuary is a testament to the enduring connection between music, faith, and community.

The church’s historical collection includes other notable items, such as the 1923 tower chimes and the 1933 Austin pipe organ, as well as its Tiffany stained-glass window. These elements, along with the Steinway, reflect the church’s dedication to maintaining its architectural and musical heritage. The restoration of the Steinway is part of a broader effort to honor the contributions of past generations and ensure that these treasures continue to serve the present and future.

In a world where many things are discarded or replaced, the decision to restore the Steinway speaks to a commitment to stewardship and continuity. As Micah 6:8 reminds us, to do justice, to love mercy, and to walk humbly with God, the church’s actions reflect a desire to honor the past while remaining faithful to its mission. The Steinway’s return is a reminder that some things are worth preserving, not just for their historical value, but for the way they connect people to their shared history and faith.

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